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Once a prominent colonial Queensland artist, Anthony Alder and his works had all but vanished from public memory until, in 2011, his descendants’ estate was offered to the State Library of Queensland. Art history is a process of continually rediscovering the past and reinterpreting it for contemporary audiences.

Anthony Alder (1838–1915) is a significant Queensland colonial artist, apart from being the most prominent taxidermist in colonial Queensland, and widely admired for his dioramas when he entered employment with the Queensland Museum, he was also a painter of substance.

1887), Alder established a significant exhibition profile.

He sought to emulate the work of ornithologist Silvester Diggles (1817–80) (Queensland’s most famous bird painter, who published Synopsis of the Birds of Australia in 1877) and produced grisaille watercolour sketches that were published from 1894 to 1900 in the Queenslander, the state’s most important weekly newspaper.

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Unfortunately, over the years, the appeal of his dioramas was forgotten and, apart from a major painting, Not game 1895, which was occasionally on view at the Museum, knowledge of his work also slipped into oblivion.

Alder was born at Stroud, Gloucestershire and trained in the family’s taxidermy and casting business, Alder and Company, in Islington, London.

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The first hurricane of 1998, Category 3 Bonnie with 115 mph winds, did not form until August 19.

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